Tuesday, January 22, 2013

poem 12, Sonnets to Orpheus, Ranier Maria Rilke



Hail to the spirit that can unite us;
for we live really in figures.  Always
go the clocks with little strides
along with our intrinsic days.

Without knowing our proper place,
we act as if from true relations.
The antennae feel their sister-stations,
and the emptiness of space

bore...pure tension.  O music of forces!
Aren't the interruptions turned away
by the indulgent affairs of the day?

However the peasant works and sows,
he never reaches those deep sources
where seeds turn into summer.  Earth bestows.

-translated by C.F. MacIntyre, University of Berkeley press, 1960.

Tuesday, January 15, 2013

The Solitary Reaper-wordsworth

Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!

Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.

No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.

Will no one tell me what she sings?
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more huble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain
That has been, or may be again?

Whate'er the them, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;-
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.

Saturday, January 12, 2013

Patty, by John Clare

Ye swampy fall of pasture ground,
And rushy spreading greens;
Ye risings swells of brambles bound,
 And freedom's wilder'd scenes;
I've trod ye oft, and love ye dear,
  And kind was fate to let me;
On you I found my all, for here
'Twas first my Patty met me.

Flow on, thou gently plashing stream,
O'er weed-beds wild and rank;
Delighted I've enjoy'd my dream
Upon thy mossy bank:
Bemoistening many a weedy stem,
I've watch'd thee wind so clearly;
And on thy bank I found the gem
That makes me love thee dearly.

Thou wilderness, so rudely gay;
 Oft as I seek thy plain,
Oft as I wend my steps away,
And meet my joys again,
And brush the weaving branches by
Of brairs and thorns so matty;
So oft reflection warms a sigh,
Here first I met my Patty...

Wednesday, January 02, 2013

Rilke, Sonnets to Orpheus

Even as a handy sheet of paper
sometimes catches a genuine master-stroke,
so, often into themselves the mirrors
take the one blessed smile of girls who awoke

and tried out the morning, alone-
or in the attendant lights' glitter
and where the breath of their real faces shone
there falls but a mere reflection, later

What have eyes once seen in the blackening coals
slowly cooling upon the hearth?
Glimpses of life, forever lost.

Ah, who knows the losses of the earth?
Only one, who praises nevertheless,
Can sing the heart born into the whole.

Wednesday, December 26, 2012

My Mary


Who lives where Beggars rarely speed?
And leads a humdrum life indeed
As none beside herself would lead
     My Mary

Who lives where noises never cease?
And what wi' hogs and ducks and geese
Can never have a minutes peace
    My Mary

Who nearly battl'd to her chin
Bangs down the yard thro thick and thin?
Nor picks a road nor cares a pin
    My Mary

Who (save in sundad bib and tuck)
Goes daily (waddling like a duck)
Oer head and ears in grease and muck
    My Mary

Unus'd to pattins or to clogs
Who takes the swill to serve the hogs?
And steals the milk for cats and dogs
    My Mary

Who frost and Snow as hard as nails
Stands out o' doors and never fails
To wash up things and scour the pails
    My Mary

Who bussles night and day in short
At all catch jobs of every sort
And gains her mistress' favor for't
    My Mary

And who is oft repaid wi praise?
In doing what her mistress says
And yielding her wimmy ways
   my mary, etc...

by John Clare







-John Clare

Tuesday, November 27, 2012

story by me...1994

My trip down to Berkeley was a drag. Eight hours down there, and when I got thee, I went straight to Yoko’s house, straight up University and left of Shattuck, and then up to Grizzly Peak. I had to put the car in first to make it up the slope, it was so steep. Up there on the hill, I got out for a second to check out the situation and to stretch my legs, and I could see the bay and the San Francisco skyline and the sun rising behind it. Neil Young’s Mirrorball was playing on my tape player, a loud album he made with Pearl Jam, featuring a lot of heavy guitar chords. It was chilly with the morning dew hanging in the air. I backed the car up into the driveway, thinking that I would stay there and sleep until she woke up, but the driveway was so steep that I knew that I couldn’t possibly sleep at that angle, so I backed the car up, and the engine made so much moise, and the squeeze was so tight that I could hardly get back out. I drove over into Tilden Park to sleep the rest of the night, and I found a nice dark little enclosure that was hidden from the road by a small building, and so I lay down to sleep, but there was a little cart rolling around the field close to me, and I realized it was a golf cart doing someing, puring the bushes or something, and I watched it rolling around for a while, wondering if I should go elsewhere, but finally I decided to forget about it and just sleep, but I woke up to the sound of a van pulling up next to me. Whoever it was got out immediately and went into the building. I lay there and looked over at the golfers who were looking at their shots and contemplating the angles that they wanted to shoot at. They were dressed up in golf gear, and looked so Californian, in the kind of silly shallow sense that outsiders think of Californians as being, that I wondered how they could stand it. How could they stand there and not laugh at themselves? I got back in the drivers seat, and got out of there. The person in the building turned out to be a girl, and I was a little embarrassed to be seen sleeping in my car. She was there to clean the bathrooms, it seems, for that is what they were. Driving out of Tilden Park, I was watching all of the bikers in the bikers shorts, and close-fitting clothes, riding along on the light little bikes that they tend to gravitate towards. I was thinking to myself all of the time that this is in fact California, and I was wondering what the heck I was doing there. But I drove back to Yoko’s because there was nothing else for me to do. I was tired and dirty, and there was nowhere else that I could possibly stay, so I parked and went to her door, thinking that I really should hve called before I left to make sure that it was all right to come. I had called her number, but only left a message. I knocked on her door, and I heard noise within. Yoko opened the door. She was old (compared to me at that time), between forty and fifty, with more than a passing resemblance to a witch, or at least the thought had occurred to me before. She had little lines on her face, and her straight black hair was drawn back tight into a knot. She was short and thin, and she didn’t look happy. “Hi Yoko. Can I stay with you for a couple of days?” I said in a tone that was not all that hopeful, and kind of guilty, because I knew I shouldn’t have showed up without getting her approval beforehand, but it had to be said, so I said it. I could tell be the expression on her face that she was not happy and perhaps even a bit fearful of me. “No, you can’t stay here. You can’t stay here while my children are not here, and this is a very important time for me. I need to be able to concentrate, and this time is very special to me. I need this time to think about my work. No, you can’t stay. You can’t stay. Why didn’t you call? You should have called. I heard your messages on the phone when I got back, and I was out very late, and then I got back and heard your messages, and I just couldn’t sleep. I woke up at four in the morning, when you said that you were supposed to get here, and I couldn’t go gack to sleep, and just lay there until now. No, you can’t stay. Why didn’t you call?” “I am sorry. I should have called first, I admit it, and there is no excuse, and I’ll go now. I can stay somewhere else. Sorry for worrying you so much.” I said and started to turn away, and frowned because I was so tired and dirty by this point that that is not what I wanted to hear. It doesn’t look good from the outside to have a 26 year old guy staying in the same house as a woman in her forties who is married but her children and hustand are in Japan. I could tell that she was worried about the neighbors talking, but she had said on the phone earlier that it would be okay if I stayed there for a while before I left. I just thought that here she is with this huge house, and she is the only person living in it, so urely she can spare a room for me, but apparently that line of thought was a bit of an oversimplification, and so shww was telling me to go somewhere else. It was a drag, but what could I do? “Come in then, and we can talk.” She said, beckoning me inside with her hand, and she made it sound like she was about to inform me of my death. We went inside through the living room, and she went into the kitchen and starting puttering around. I was standing in the living room feeling very beaten down, and listening to her making noise in the kitchen, waiting for her to invite me into the kitchen. There was a curtain across the doorway, hung from the top of the frame, in the Japanese style, and I could only see her feet moving around from the place where I was standing. I could see the nice wood table in the kitchen, and see far over Berkely, over the bay, and the bay bridge, and I could see the San Francisco skyline and the fog rolling in off the sea. I could see the clouds hanging heavy over the tope of the misty hills, and the great stretch of the sea, its straight line between the sky and sthe sea stratching endlessly and seeming to continue forever in a line that could only be seen as a symbol of the great space separating east from west., both in the consciousness and in the cultures of the division. I went into the kitchen and sat down, and she walked to and fro, not really looking at me, and started opening a bread bad. She took out several slices and put them in the toaster. This whole process took a long time. “No, you can’t stay here. Why didn’t you call?” “Okay. I am sorry. Don’t worry about it. I won’t stay here. I can stay with my aunt. We may as well change the subject. It doesn’t matter anyway . I should have called first. It’s all my fault.” She puttered around some more, not really looking at me, and I stared at the fine gas wstove and the fine wood floor, varnished perfectly, and it seemed something of a novelty, because I was used to damage and warp. This floor was more or less perfectly smooth. Her wooden chairs, or at least the one that I was staring at, situated between me, who was sitting next to the windown and the doorway, and her, who was tanding over by the counter, was wrapped in little cloths, like little sandals, each one wrapped around the bottom of each leg. I remember looked at that and seeing an over-fastidiousness. “So how are you doing? How are things in Oregon” “Not so good. I quit my stupid job three weeks ago, and I have been doing almost nothing since then. I really can’t see the poin in doing anything. Everything seems tupid to me. I hated my job, and I wasn’t getting along with any of the people, so I just quit. I came down here hoping that maybe things would bet better or I would find something to excite me about life, because I haven’t been feeling that excited. I don’t know. I don’t know what to do. Oregon is so boring, and I have no friends. It is hard to be interested in life. I just read books and sleep. That is all that I can think of to do. I don’t get along with my roommates and I don’t get along with anyone selse at all. So I don’t know what to do. I feel pwerless to change anything, and time just passes and there is no hope that I can see.” “You should be in school, you know, you should find a graduate school that you like and go there. You are sensitive, and you like to read, so you should go to graduate school, don’t you think? Will your parents support you? Then you should go, I think.” I didn’t say anything for a while,. I wasn’t at all sure that my parents would support me, and I was a bit contemptuous of people in graduate school. I was most interested in literature, but writing about it was a drag, I thought. I never read an ananlysis that I really enjoyed reading. What I liked reading were creative works, of fiction, and those things were generally not composed in classes or in deconstructionist theory seminars, but they just have to come out of you. I felt that reading on my own was just as beneficial as being in school, potentially. “School is tiresome. People writing papers on subjects that nobody wants to read about for no good reason. There is noprogress being made. I don’t have much interest in being a teacher so there is no point in getting a degree. These people aren’t taking what they are studying seriously, but they are just using it as a means to an end, just a way to stay amonthe the beautiful people, and talk about how much more sophisticated and how much more valuable they are than people that don’t have much education, but they are mostly just deluded.” Whenever I started thinking about graduate school and scholars, I thought of Nietzsche’s quote in Thus Spake Zarathustra, a book that I ahd been reading and rereading over the year, trying to find words to correspond with my anxiety, and finding some there. In the section entitled “On Scholars” he writes: “I am too hot and burned by my own thoughts; often it nearly takes my breath away. Then I must go out into the open…but they (scholars) sit cool in the cool shade. In everything they want to be mere spectators.” I thought this was true, that who is to judge or sum anything up when nothing is really comprehensible. Everything must be taken into account, and it seemed that graduate school and the people in them were simply foolding themselves as much as anybody, or they were there simply as a way to kill time. I often thought of a line from Whitman, “By God! I will accept nothing which any and all cannot have as a counterpart on their own terms.” “I can’t think of a good subject to study. I am interested in philosophy and poetry now. I was in Japanese, and I liked studying that, but I don’t want to go to graduate school in East Asian Languages, so I just don’t know.” I said in my typically gravelly voice. “Yes, East Asian Languages would not be good, I think.” The toast was done, and she was applying the butter with a knife, and she stacked the two slices of toast on a plate and put them in front of me. It was too early in the morning for me to feel hungry. “Have you eaten yet?” “Yes I did, or not….uh…well, I will have one slice then.” I said, and picked up the slice of bread unexcitedly. It was dark with when berries, and I was kind of hesitant, but I took a bite. “You should study katakamuna, “ she said. Katakamuna was a kind of system of astrology that apparently had ancient roots in Japan like the I Ching, but older, according to her. She had also told me that her husband, Hideo, was a medium for the spirits of the katakamuna, and he had written pages and pages of transmissions from the gods relating to this. It was all somewhat obscure to me, because the books were all in Japanese and my ability was not all that great. She ahd told me on the phone that Kazu had got a transmission from the gods that my future would brighten perciptibley if I was to ivolve myself in the study of this ancient system. It was impossible for me to determine how flaky this thing really was- was it like crystals in the States, or was it more like Indian spiritual beliefs? I couldn’t determine that from my marginal ability to read Japanese. “We…yeah, I might be interested in doing some research on the katakamuna. I don’t know…” “Hideo told me that he saw a treasure in front of you, if you could only see it, and that it is in the study of katakamuna.” “Well, there may be a treaure out there, but I can’t see it, I can agree with that.” “So how hard it it to get into graduate school? What do you need?” “A few recommendations.” “What is the deadline for admission?” “March, I think.” “So it is not so hard. You can do it, can’t you?” “Yeah…I guess..I don’t know.” That seemed to be my theme. But the fact is, I couldn’t see the value of it. I had been reading Leaves of Grass, and it seemed to me that Whitman didn’t write something like that by typing away at literary analysis. I couldn’t think of a response to here, so I just aid that I really wasn’t too sure about what I was going to do. She sat down and began eating a piece of the toast. Then I looked out of the indown. Her back lawn seems to be quite nicely taken care of. The trees waved in the breeze. I remember that she had said to me on the phone that the weather up on the hill was always cold, and the clouds from the sea were always haning straight overhead, and so It was kind of dark and cold with very few exceptions. A carpenter was at work on the next house, doing something on the roof. “Would you like a cup of coffee?” she said, and I didn’t say no. Lately I had the haboti of drinking coffee all day until my nerves were so fried I couldn’t drink any more. Just being away from coffee for the eight hours it took to drive down there and the four hours or so that I had been asleep in my car made me anxious to have another cup. She took the pot off the stove and filled it with water from the sink, and then turned the gas on under the pot. It was a beautiful little blue flame that came out of the burner. When the water heated up, she poured it through the strainer and into a cup and gave it to me. “Thank You.” “So what will you do now that you are down here?” she adked. “Well, you know that I used tolive down here, so I thought that maybe I would go down to Telegraph and look at all the people, and go to the cafes that I used to go to, and see a couple of movies. You know I have a lot of memories that come back to me when I go back here. I had a lot of fun when I was a young kid in college. Now things are different.” She laughed when I when I said that I was going to the movies. I don’t know why she laughed. Myabe she thought that it was just kind of a sad thing to say, so that laughting was the only response that she could think of. It is strange how people laugh at something that is not funny, as though they don’t know what else to do and want to dispel the silence. I drank my coffee. It was good, brewed pretty strong. “Would you like any sugar or milk?” she asked. “I like it strong, I don’t know about you.” “I like it strong.” I said, which was really an understatement. She took out a cigarette. I began to think about leaving, but I thought I would give myself five minutes and then go. “I have been so busy, driving my children everywhere, to their friends place, to ballet, to school.” “

Wednesday, April 04, 2012

Echoes

Echoes
I've been doing a lot of walking around recently, and actually for many years, through this town, through Portland, Berkeley, and then this town again. I usually stroll down from the Fred Meyer area downhill toward the river, and have decided beyond doubt that Taylor is the nicest street to walk down if you are heading toward the river. Everyone's meticulous with their gardening, their are few cars, and in particular, an assiduous gardener on 12th street always does a perfect job with his little yellow flowers. I would guess he's heavily into fertilizers, but for all I know he's doing all of it completely organically. The flowers come out well, and I've been walking down that street for a few years now so I notice them well. As far as walking across downtown, usually you can go straight down to the river and walk along the path by the river, or another good route would be to walk over on 8th the Jefferson, Jefferson being especially pleasant due the the large trees on each side. Realistically, the clouds of mist intersticing my clouds of dew regain speed with each flock of goats that goes by. They interestingly let out strange bleats and chew on the lengths of weeds that have grown up outside and under the favorite bridges that we all know and love so much. In particular, they follow the sound of bugles, emanating from the misty tides on the confluence and tilth of running water on the beach of the Mary's river. Another goblin sits on the roof, his big dog wandering around with no leash, skateboarding on over the tofu and vines and the coats among the holy avocado feelers down by the changing skies. If you hear a string of beans coming down through any of the garden paths down by crystal lake, change them around and remind them that all the misty houses down by the river as the waters go flowing by remain much the same, coming back through the frolfing fields or strips of green.
In conclusion, I highly recommend the strolling of towns in green tones.
Chris Farrell
Corvallis, Oregon

Tuesday, May 24, 2011

am I too intellectual for my own good? Maybe so, but then again, what the heck. I decided quite a while ago to stop apologizing for my personality. It is what it is, and it's okay. There's some decent points to be made, somewhere in the recesses of my thought patterns, I suppose. So there you go. At least I'm looking on things from a fair angle, and maybe that's the most you can ask.

Sometimes I end up in situations that seem to be exclusively chaotic and negative, but at least I have the sense to extricate myself, or maybe the freedom to extricate myself, I suppose. There's a point to be made that I'm too detached, but I start thinking that and then I get a good conversation with a good friend and think to myself that I'm not too detached, I just have good friends that make sense for me for where I am at right now. That human connection that is so necessary for everyone seems sometimes to be in short supply, but more and more these days it is around and it is there for me to both help and be helped, as everyone is struggling to get through the rough patches of life. I never get caught up in negativity these days, and I hope my good fortune continues, and I need to challenge myself to do better, if I could only figure out exactly what I should be doing differently...There are concrete and achievable goals, for example, in karate, and those give me some mental stability and peace of mind for dealing with chaos when I find it out there,...not that I have it all figured out.

Saturday, May 21, 2011

new idea

simplified and fairly unique
shearing off tension from the problems created
far from me, in all the strivings and trials
trying to sort out how to stay apart from all things
from the tensions that might crawl through me
a thinking man and the sun shining down
magnetic tensions and forces one sees through the day
the music of forces
the trials that come to light
find a way through the tension of a string
and the sheep out in the pen
and all of the little ideas and laughing tensions
which we love to have in the keeping of our ideas
and the points that matter
and to feel the idea of sunlight coming down on the shoulders
just as it does for everyone
wondering if the world can stay good and make sense.

Wednesday, March 09, 2011

chair

Friday, February 11, 2011

wandering clouds and rain

Endless amounts of coffee framed by wooden tables and concentrating on the characters and the words, inscribed through the directions of thought out there in sincerity somewhere, striving for a sort of upright feeling I might figure out, some kind of curious self-congratulatory explanation or maybe an act that corresponds with a thought in a real way, as much as I can tell, for what it is worth. And yet the anxiety out there somewhere, the curving features of numinous wanderings, the acts and the repetitions, the innate setup of situations and people, decisions that make something happen, a decision to be somewhere, or not to be somewhere, a decision reinforced somehow with good thought and feeling, energy in positive form. One can drive all night trying to get somewhere and never get there, but after a while there has to be something done between here and there regardless, and a hope of some kind, of some kind of recognition in the form that appears with itself in an idea of the kind of reality, or the kind of force of the actual and now somewhere, some kind of idea where things are good enough, that things change, people remain, and the rivers keep on flowing somewhere and that it can all come around into the kind of simplicity that I see, or at least think about and think is right.

Friday, February 04, 2011

musician

Tuesday, February 01, 2011

clouds pass by

The problems that I find, I seem to find having completed somewhere else, in some other mind, in some other day, long ago. I get flashes somewhere, some kind of green heat in the ends of the words, a completion through the times of other details, the energies of women walking around, long black braids and headscarves, creating double shot espressos and other complicated drinks in the laughing curving understanding coming from the thick wood tables that have been rapped upon and sat next to through decades of light and ranges of focus, and the strings of various bands altering their structure somehow, and the river going by so close to here. There must be some idea in there somewhere.
A dude walks in with a thick leather jacket, just have gotten off a heavy motorcycle, not the type to get on a bicycle and ride around, but he comes in to do complicated graphic design work on a fast computer, and might be from eastern europe or something, or maybe I just got that all wrong. In other words, a new resident of the tables along with the college students, and all of the plants and the changing relaxations of details, and the violinists and the trombonist in town for a while from up somewhere in washington, who can play a beautiful rendition of Cole Porter, singing and playing like he is having happy things to say.
The crazed Neil Cassidy ripping around through the streets consciousness is not that far off, as the details of life can be immensely interesting, as dull as they can seem from some perspectives. From some perspectives, this is just a still life with laptops, but things change every day. The buildings and geography are the same, but little differences and new interactions and societies add up to good things at times. I suppose. In any case, it's all about making the right choices, I suppose, or having a good direction, but hopefully combined with those unknown flashes of inspiration and consciousness and music that define art and life.
Lots of interesting people in the Beanery. You could make the mistake of thinking that all people are like this, but that is categorically not the case....this is one environment and there are so many others.

Sunday, January 23, 2011

Westminster Bridge

Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and the temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, vally, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!
-by william wordsworth

It's good to have the wordsworthian sense of awe at the beauty of nature, and the appreciation for the weather and the growing things and the subtle fluctuations in the natural environment every day. Every day's weather is unique and changing, and there's a space there for appreciation of it, apart from whatever stresses may occur. It's pretty funny, because I see people caught up in little dramatic scenes that are leading them into more trouble, (I'm not talking about everybody, just some groups) and I'm glad most of the time that I've figured out how to not get caught up in unnecessary strife. Strife happens, and you want to limit what you get into, I guess, and have time for the general appreciation of things.

Tuesday, January 18, 2011

I am, you anxious one.

I am, you anxious one.

Don't you sense me, ready to break
into being at your touch?
My murmurings surround you like shadowy wings.
Can't you see me standing before you
cloaked in stillness?
Hasn't my longing ripened in you
from the beginning
as fruit ripens on a branch?

I am the dream you are dreaming.
When you want to awaken, I am that wanting:
I grow strong in the beauty you behold.
And with the silence of stars I enfold
your cities made by time.
-rilke, book of hours

Saturday, January 15, 2011

a nice idea

a nice idea to figure out
a friendly attitude, somehow, somewhere
and the manners and the running energy
somewhere out on the coast
the shaded trees and the waves somewhere
down over on the Nye beach winds
the solid block of sculpted oak
chasing through every certain varnish
we though it was a friendly thing somehow
some nice idea put into words.

Friday, January 14, 2011

a small kitten played in a pile of intricately patterned clothes

the guitars and sounds of the beanery seem to cohere, along with a double espresso and I feel as if the lights of the stars and the flowing rivers out there in green somewhere had an agent of consciousness somehow tied into all the changing lives and aspirations and difficulties that come and go between contributed food and bad coffee and the fleeing spectacles, and arrows trying to reach the other side, the pools hit by stones, the ripples flowing outwhere in some kind of perfected detail, and wondering why the people and the times reflect the unit of moss of the tree and the branch, coming up into each successive breath and each successive effort through all the continuations and stretching details. The beautiful sound of a song of a chord can reverberate through the wood out there, going through all the ideas and chaos that continually arises. The days are slowly getting more mild and the signs of spring are going to be coming out. The continual cyle of the seasons and the breezes going here and there, walking under trees showing the rippling effect from each detail.


I was getting kind of interested today in the book I am translating from Japanese, "Some Prefer Nettles", by Junichiro Tanizaki, because he was talking about the types of architecture in Japan. The stuff near Tokyo (in the 20's) was not as beautiful because the earthquakes kept destroying everything, and they had to use stronger materials. whereas the stuff near Kyoto was more beautiful and traditional. Of course 99 percent of all that stuff is gone now, but it is still true that Kyoto has more of the Old Japan feel to it than Tokyo.



Here's a fragment of a semi-true story that I wrote from years ago:

This new house was filled with stacks of all sorts of thing, and a man named "River John" appeared to live there. A small kitten played on a pile of intricately patterned clothes. It was dark. They were smoking weed, and the atmosphere seemed otherworldly and surreal.
Tracy appeared to want to take off. I let him drive. We drove in circles, it seemed, here and there, and it was cold out, and very late at night. We stopped somewhere, near a house where he knew people. He got out to see if they were up, came back, and we both got out and walked down a pathway, through a door, and into a trashed room with a torn up couch, the windows covered with plywood.
I think I was there the whole night, sitting on the couch, staring at the walls, watching people of mysterious origins and intentions come in and out, through the main room to the other rooms. I may have drifted off at some point. Her "sister", Lisa lived in the back room with her boyfriend. Lisa would come out occasionally and start yelling, sometimes at her dog. Sheila was doing laundry in the kitchen, and the machine was vibrating, or maybe it was the nervous look in her eyes that appeared to be a vibration.

a wave of wind
the grass outside
washing machine is humming
Sheila shoving clothes
into the washer
She can't think about anything else
dishes are piled on the counter
a pit bull exits
the rear room
somebody yells something

Another woman in the far room would come out at various point and appeared to be gripped by demons. She was contorting herself in some kind of dance, and I could have no clue for why this was possibly going on, or what could be wrong with her.

Monday, January 10, 2011

who is going there?

who is going there?
with springtime all adorning her?
with the leaves of downstream rivers
earrings and tassles in the hair
faded colors of greens and browns and stripes
details between the overenthusiastic vowels
something about the upright thought and stance
an uprightness have possible correspondence
a possible correspondence and a wonderful
demeanor, details, strivings, elements,
worryings between the changes of the seasons
through the paths out on the sound

There are good and upright things in life. To the good things correspond to the beautiful, and is morality and uprightness seen in outward demeanor? Maybe. Who the heck knows. Then again, there are those flashes of introspection, and they let me see into the elements of things, the deeper patterns, or maybe they make me go in a good and better informed direction, and that is all to the good.

The morns are meeker than they were --
The nuts are getting brown --
The berry's cheek is plumper --
The Rose is out of town.

But gradually things will climb back toward spring, in the long unexplained cycle of the seasons will continue, and people will follow their impressions and magic will come out of the woodwork.

Thursday, January 06, 2011

Lean out of the window

Lean out of the window,
Goldenhair,
I heard you singing
A merry air.

My book is closed,
I read no more,
Watching the fire dance
On the floor.

I have left my book:
I have left my room:
For I heard you singing
Through the gloom,

Singing and singing
A merry air.
Lean out of the window,
Goldenhair.

-from Chamber Music, James Joyce

Saturday, January 01, 2011

Poetry and the ebook.

I don't think books are ever going to go out of style. One of the main joys of poetry is to look through books that you own, and find the poems that you appreciate. Everything about the tangible part of poetry is important, including the condition of the book, the typeface, the design, and on and on. Poetry, writing, and any kind of deep thought and creation of new words requires access to the written word, and the format of the paper book is not something that can be replicated by one device. There's room in the world for both approaches, of course. I'm not an ebook hater. But people that think that soon all books will be going into the junk heap are not really thinking clearly. Either that or they never read books, which is a shame for them, for what they are missing.
I keep wishing I had a copy of James Joyce's "Chamber Music" and "Pomes Penyeach" for the spare format of those collections. I can read some of the poems online, but it is nothing compared to when I had the actual book to read. I think I got that one out of Doe Library at Berkeley. Something about the paper of certain poetry books focuses your mind on the seriousness of the approach of the author. I am thinking in particular of Robinson Jeffers' book "Roan Stallion, Tamar, and other poems", now out of print. It has an excellent typeface, and a little introduction by the author describing a walk through the woods and some impressions of the weather near Carmel. One line from one poem, I remember reading in a coffeehouse in Portland in 1995. "Great enough both accepts and subdues, the great frame takes all creatures." That line had a big effect for some reason. If I had read it on a Kindle I would have no book to associate those poems with.

Saturday, December 25, 2010

Poem from the Shinkokinshu-1200A.D.


The Kokinshu was earlier. Large increase in travel and travelling monks. Saigyo was important in this collection. Focus on the poet looking at nature...laments, seasonal,...Fujiwara Teika: the compiler. These poems are knows as Waka: Japanese poetry. Haiku came later.

Thursday, December 23, 2010

poem and karate info

some strange guy
typing punctuating the silences
severe silence and papers in the late night
some kind of loud darkness
suffused with energy
designed toward cross purposes
ticking through the artifice
watered down into the energies


Okay,
done with that.
Now, for those of you who didn't get the message, I'm teaching a one day a week karate class. Here's some paragraphs about that:
Traditional Shotokan Karate is Japanese martial art. It is a lifetime activity that improves all aspects of physical fitness and promotes cognitive ability and emotional stability. Karate improves self-image and self-control while teaching the values of discipline and personal defense strategies.

Unlike many martial arts, Karate's foundation is in self-defense, not dueling or military engagement. Through training, students become more in tune with or aware of their immediate surroundings. This awareness allows the student to assess and avoid dangerous situations before physical confrontation takes place. The successful Karate-Ka never has a fight.

The object of Karate is to improve the participant in both mind and body. The structure of the class promotes organized thinking patterns, critical evaluation, problem-solving and listening skills along with robust physical training.

Chris Farrell has done Shotokan Karate for 28 years and received his black belt in 1986. This class will focus on the forms, applications of the forms, and going through the basic exercises. Chris is associated with the International Traditional Karate Federation and the Amateur American Karate Federation. He follows the standards for Shotokan Karate allowed by those groups.

Wednesdays, 7:15 - 8:45 p.m.
Cost: $5 per class or $20 per month.

And the link to the Corvallis Dance Center:
Dance Center

Monday, December 06, 2010

Faded Flowers

The flowers I saw in the wildwood
Have since dropped their beautiful leaves
And the many dear friends of my childhood
Have slumbered many years in their graves

But the bloom of the flowers I remember
Though their smiles I may never more see
For the cold chilly winds of December
Stole my flowers' companions from me

It's no wonder that I'm broken hearted
And stricken with sorrow should be
For we have met we have loved we have parted
My flowers companions and me

How dark looks this world and how dreary
When we part from the ones that we love
There is rest for the faint and the weary
And friends to meet with loved ones above

For in heaven I can but remember
When from earth my soul shall be free
There no cold chilly winds of December
Shall steal my companions from me
-Carter Family, Faded Flowers

Monday, November 08, 2010

sketchin'





I did some sketches recently. Here they are

Thursday, October 28, 2010

From drawings